THE ART OF THE REMIX

From self-taught DJ to remixer for major labels: Jace M’s musical journey

BY JAMIE BOOTH

Jace M, who performed at The Chapel at The Abbey in West Hollywood last month, taught himself to DJ in the early 2000s, on records and with, in his words, “one of the shittiest mixers ever created.”

Before that, he played piano, drums, the trumpet, violin, and for a tiny moment, the flute. “I came into DJing with a strong musical background, so as my DJ career progressed and I started to learn how to produce, I was able to apply all of that knowledge to my work,” he explains in an interview with THE FIGHT.

He counts Lady Gaga as one of his biggest musical influences; not only for her singing, but for her incredible songwriting.  Elton John, too, for his composition work, and the late Peter Rauhofer for his music producing.  Most importantly, however, he credits the rich arts program at his high school and his teachers, for giving him a solid music education. “At the time, I didn’t realize the opportunity I had or where it would take me in life, but looking back, I am super lucky to have received such incredible guidance,” he says.

It’s definitely a process! Toy Armada and I spend a lot of time studying music and trying to make it special in our own way. We worked together on the mix. It was important that it reflect our sounds but also be playable for other DJs because that is what makes the label happy, since selling the record to DJs and club fans is what pays the bills!

It took a long time to get to this point.  A lot of proving myself with unsigned artists who I still love to produce and remix because they are the future.  Many of the labels and artists discovered and reached out to me through my SoundCloud. In the case of Camila Cabello & Lil Nas X’s “He Knows,” Toy and I were approached by the label through a referral from Dan Slater, a fellow DJ and dear friend. Dan’s an incredible supporter of other DJs. 

The music industry is run by the gays!  Well, not really, but heavily influenced! I personally don’t like to apply my sexuality to music because music is a universal language and it shouldn’t matter who the person who makes it sleeps with or loves. However, with fame, large or small, comes a platform and I try to use my platform as much as possible to advocate for, not only the LGBTQ+ community, but all artists, especially those that are part of marginalized communities.  I’m always happy to mentor up-and-coming artists, produce for them… whatever I can do. 


Visit DJJaceM.com

 

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